NIKON Z5ii N-RAW 電影調色

Nikon Z5ii N-RAW 4K 30p 電影調色

NIKON 最令人詬病的就是 N-Log 曲線發色整體表現不佳、藍色溢出嚴重，但隨著 RED 於今年2月下放了 Log3G10 給 NIKON N-RAW，讓我們來解放 NIKON N-RAW 上的 RED 色彩科學，讓 NIKON 直接獲得真正的 RED 電影級色彩。

📌機身&編碼格式：Nikon Z5ii N-RAW 4K 30p

📌鏡頭：NIKKOR Z 24-50mm f/4-6.3

📌參數設定：光圈固定 F4.0 (固定在24mm)，ISO Auto 掛自動檔位

📌後期處理：

1. REDCINE-X Pro 跳過IPP2流程，直接解 Log3G10

2. Log3G10 進達芬奇，掛上RED自己發佈的.709還原LUT (RWG_Log3G10 to REC709_BT1886 with LOW_CONTRAST and R_1_Hard size_33 v1.13)，再進行細部調色

📌全程手持，ISO無依據雙原生ISO 800、6400 進行固定，部份畫面的「暗部噪點」可能較多，也可能是現場光源不足問題，雖有打持續燈棒，但畢竟是夜晚的戶外場景

🧾REDCINE-X Pro 下載 ⏬

REDCINE-X Pro (Win) | REDCINE-X Pro (Mac)

🧾RED Log3G10 LUT 下載 ⏬

IPP2 Output Presets

🧾分鏡腳本下載 ⏬

分鏡表.pdf

下載 PDF • 3.33MB

Camera & Codec: Nikon Z5ii, N-RAW 4K 30p Lens: NIKKOR Z 24-50mm f/4-6.3 Settings: Aperture fixed at F4.0 (locked at 24mm), ISO set to Auto in program mode

Post-Production Workflow:

1. Skipped IPP2 process in REDCINE-X Pro, directly decoded to Log3G10

2. Imported Log3G10 into DaVinci Resolve, applied RED's official Rec.709 conversion LUT (RWG_Log3G10 to REC709_BT1886 with LOW_CONTRAST and R_1_Hard size_33 v1.13), followed by fine color grading

Notes: Shot entirely handheld. ISO was not fixed based on dual native ISOs (800 or 6400), which may result in noticeable "shadow noise" in some frames—this could also be due to insufficient ambient lighting. Although continuous LED light wands were used, the scenes were shot outdoors at night.

🧾REDCINE-X Pro Download ⏬

REDCINE-X Pro (Win) | REDCINE-X Pro (Mac)

🧾RED Log3G10 LUT Download ⏬

IPP2 Output Presets

V-RAPTOR [X] - (V-RAPTOR 迅猛龍 for Z Mount)

NIKON 於2025年2月13日，將 RED 2021年9月發表的「旗艦8K電影機 V-RAPTOR」——迅猛龍，加上了「Z 接環」版本（V-RAPTOR [X])，單機身售價約89萬台幣。